JEPPE HEIN: NOTHING IS AS IT APPEARS — at König Galerie

Jeppe Hein
Nothing is as it appears
König Galerie
St. Agnes, Alexandrinenstr. 118–121, 10969 Berlin
21 February – 12 April 2020

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Jeppe Hein, Nothing is as it appears, KÖNIG GALERIE CHAPEL, exhibition view, photo by Roman März
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Jeppe Hein, Nothing is as it appears, KÖNIG GALERIE CHAPEL, exhibition view, photo by Roman März
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Jeppe Hein, Nothing is as it appears, KÖNIG GALERIE CHAPEL, exhibition view, photo by Roman März

KÖNIG GALERIE presents Nothing is as it appears, an exhibition of recent works
by Danish artist Jeppe Hein, on view in the Chapel of St. Agnes from February 21st
through April 12th, 2020. This is Hein’s tenth solo exhibition with the gallery.

Nothing is as it appears exhibits sculptural objects that bring viewers closer
to themselves, to their environment, and to each other. The exhibition relates
to the same-titled book which invites people to discover the subtle connection
between yoga and Hein‘s art. Referring to different yoga poses, or asanas (body
positions), sometimes a work’s relationship to a pose is presented playfully, as
tongue-in-cheek. Other times, the connection is more fundamental to an assembled,
coherent whole.

In one piece titled On a Journey to Myself, the titular words glow in white
neon letters behind a two-way mirror. Hein’s use of reflective surfaces allows
for a more thoughtful appreciation of our co-existence with others. Juxtaposing
the Padmasana or Lotus pose — an asana that traditionally draws attention to
one’s body — the pronoun “myself” calls out to viewers, situating them in a
mirrored reflection and thereby in the embodied present moment.

In Fold II two square mirrors with four subtle folds are mounted onto a wall. The
creased reflections produce a fragmented view of the surrounding area, enabling
viewers to see different parts of the room simultaneously. Juxtaposing the asana
Extended Triangle (Utthita Trikonasana) with Fold II, an idea of unexpected and
extended perspectives will awaken. In another work, titled Breath, an array of
glass spheres encapsulate the practice of Pranayama (composed of the Sanskrit
words prana = life energy, and ayama = control and expansion). The intensity
of the artist’s breath has determined the size of each glass sphere, while the
overall number of spheres corresponds to the number of breaths needed to create
a single one.

As both book and exhibition, Nothing is as it appears inspires a more open
view of the world. This new point of view becomes more than a symbol of
introspection: it connects things together that might seemingly have nothing
to do with each other. In this way, the exhibition recreates an insight specific
to a meditative frame of mind. Encouraging viewers to re-examine and question
the world, one might leave the Chapel of St. Agnes with a more poignant sense
of the interconnectedness always brimming just below the surface of awareness.

Text: Jeffrey Grunthane

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via König Galerie, Berlin
Featured Image: Jeppe Hein, Nothing is as it appears, KÖNIG GALERIE CHAPEL, exhibition view, photo by Roman März.
All images © the gallery and the artist(s)