The exhibition brings together the work of 14 artists of different generations, who developed their practices in the context of relatively heterogenous notions of abstraction.
On view until 29 August
The exhibition is open by appointment from 2 – 29 August
ONLY engages the public in an alternative reality, pursuing an organic futuristic narrative of idealism and leaving the viewer with hope in dystopia.
On view until 29 August
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The painting, which exists only for the duration of the exhibition, seamlessly connects the interior of the museum and the outdoor space and transforms the site into a new space of imagination and possibility.
On view until 10 January, 2021
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On view until 1 August
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This comprehensive show covers John Miller’s output from the 1980s to the present, demonstrating his astute, witty, and at times poignant commentary on the notions of identity, figuration, economics, social class, and value of art.
On view until 13 December
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The world of birds has provided an endless source of inspiration for the Kosovar artist Petrit Halilaj, who since a young age found himself captivated by the flying creatures. Comprising several different bodies of works and spanning over seven years of research, this Showroom Series explores the particular fascination between Halilaj and birds.
On view (online) until 29 August
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Art and spirituality have much in common. Traditionally, artists are thought to have an exceptionally sensitive gift of perception. Even today, they address major philosophical, psychological or spiritual issues in their work.
On view until 12 October
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Works of art that no one sees are tragic creatures. Locked away, languishing in obscurity, pictures, sculptures, and videos can’t meditate on what they mean, can’t quietly grow and mature—indeed, they can’t even despair.
On view until 15 July
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For their first solo exhibition at König Gallery in Berlin, opening May 16th, Elmgreen & Dragset will present three new figurative sculptures within an immersive setting that transforms the visual appearance of the upper gallery, the Nave, at St. Agnes.
On view until 2 August
Booking required
Artist Meriem Bennani and filmmaker Orian Barki made an Instagram sensation with the release of 2 Lizards, a meaningful and timely IGTV video series starring two inseparable anthropomorphized lizards going about the quarantine period, dubbed by Meriem and Orian themselves and rendered in 3-D set against real footage of New York City.
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The video depicts Wolfson, then in his mid-twenties, wandering through a medieval cathedral with a backpack, delivering his thoughts to a handheld camera in the style of a tourist recording a video diary.
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Now you can see and hear five of London’s species: London plane trees, bats, parakeets, azure blue damselfies and reedbeds online through The Deep Listener (2019) — a audio-visual ecological expedition through Kensington Gardens and Hyde Park, by Danish artist Jakob Kudsk Steensen.
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The underlying question which seems to be on everyone’s lips now is How Can We Think of Art at a Time Like This? This is the question curators Barbara Pollak and Anne Verhallen are asking through a project launched online; an independent, open-ended platform.
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Central to the exhibition is an exploration of art’s potential to be a transformative gift.
On view until 12 July
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This exhibition is currently being presented as part of MOMA’S Virtual Views series.
On view (online) until July 11
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In a world where the forces of nature have taken awesome hold, Kilimnik’s work brings a haunting and contrary sense of beauty to contemporary art.
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The virtual exhibition borrows its title from one of Moon’s own works, which evokes the essence of his practice: joy and dynamism expressed through color and form, as well as an energetic blooming sense of experimentation.
On view (online) until May 24
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In response to the temporary closure of the gallery Goldsmiths CCA have launched a programme that allows for ongoing contact with art and artists, and can be enjoyed from home.
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“It’s about extending painting,” Brätsch has explained of what drives her work, “following the logic of my brushstroke but in a different language.”
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“My assistant and I were sweating a lot, complaining about the fact that almost nobody has a swimming pool in New York City. It is because of the real estate—the price per square foot, and the density of the population—that no one has one. But what if they were smaller? …” — Harold Ancart
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