CURRENT MUST-SEE EXHIBITIONS IN NEW YORK (14)
—curated art guide, updated daily
“I want the work to make you feel like you’re intruding. I want the painting to own the space you stand in, the space you occupy when you look at it. I want it, the painting, to be aware of your presence, inasmuch as it is aware of itself. The painting is not for you. The painting is for itself.” — Cinga Samson
On view until April 11
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Ellen Berkenblit’s compositions intentionally exclude narrative attributes, allowing the viewer to focus on the emotional qualities of paint application, brushstroke, and shape.
On view until March 28
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On view until March 21
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Uri Aran has called his new show at GBE House, seeming initially to turn the gallery itself into an allegory for a domestic space. But this literal transposition does not track.
On view until April 5
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“… What I end up with is not strictly a figure but a matrix of lines that come in and out of a description of human forms, but that also slips into animal, plant, and landscape intonations…”
— Nigel Cooke, 2020
On view until February 29
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Chosen by artist Spencer Sweeney, the works comprising Parapliers the Willow Dipped explore the range of Van Vliet’s output over three decades and present an artist fully in tune with the legacies of European and American painting.
On view until March
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The exhibition features works consisting of what White describes as “contradictory elements that should be discordant but somehow come together to exist in a state of tenuous balance.”
On view until March 14
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Mannequins are an iconic theme in this show. Miller characterizes them as simple anthropomorphized clothing racks that can nonetheless prompt unnerving degrees of identification.
On view until March 14
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Tyler Mitchell, a 24-year-old photographer and filmmaker based in Brooklyn, aims to revitalize and elevate the Black body in his work by representing people in his own community as joyful and proud.
On view until May 18
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On view at the gallery will be an installation by the artist that further expands on his earliest investigations of the possibilities of luminous space.
On view until March 21
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Out of Place: A Feminist Look at the Collection presents artworks that defy conventional museum display and collecting frameworks.
On view until September 13
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All of the works in the show conflate flesh and steel, encapsulating the bodily integration of the once external machine. With a keen material sensibility, Levy’s sculptures reflect the internalization of our built and bought environments.
On view until February 29
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“Nature, however you look at it, is always unadorned, fresh, and beautiful. I wonder if my paintings could capture the beauty of nature. No, it would be impossible. Even so, I want to make paintings that, like nature, one never tires of looking at…” — Yun Hyong-keun
On view until March 7
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Faurschou New York debuts with “The Red Bean Grows in the South,” a show featuring 17 mostly blue-chip artworks by the likes of Louise Bourgeois, Robert Rauschenberg, Anselm Kiefer, Paul McCarthy and Tracey Emin.
On view until April 11
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